{"title":"Peter Sanders","author":{"id":3206,"name":"Peter Sanders","slug":"peter_sanders","image":"\/uploads\/users\/non-profile.jpg","role":"Author","about":"","promote":0,"status":1,"created_at":"2014-10-18T08:00:00.000000Z","updated_at":"2014-10-18T08:00:00.000000Z","language_id":1,"parent_id":null,"i18ns":[],"image_asset":"http:\/\/www.islamland.com\/uploads\/users\/non-profile.jpg","get_name":"Peter Sanders"},"books":{"current_page":1,"data":[],"first_page_url":"http:\/\/www.islamland.com\/index.php\/dag\/api\/authors\/3206?books_page=1","from":null,"last_page":1,"last_page_url":"http:\/\/www.islamland.com\/index.php\/dag\/api\/authors\/3206?books_page=1","links":[{"url":null,"label":"« Previous","page":null,"active":false},{"url":"http:\/\/www.islamland.com\/index.php\/dag\/api\/authors\/3206?books_page=1","label":"1","page":1,"active":true},{"url":null,"label":"Next »","page":null,"active":false}],"next_page_url":null,"path":"http:\/\/www.islamland.com\/index.php\/dag\/api\/authors\/3206","per_page":25,"prev_page_url":null,"to":null,"total":0},"videos":{"current_page":1,"data":[],"first_page_url":"http:\/\/www.islamland.com\/index.php\/dag\/api\/authors\/3206?videos_page=1","from":null,"last_page":1,"last_page_url":"http:\/\/www.islamland.com\/index.php\/dag\/api\/authors\/3206?videos_page=1","links":[{"url":null,"label":"« Previous","page":null,"active":false},{"url":"http:\/\/www.islamland.com\/index.php\/dag\/api\/authors\/3206?videos_page=1","label":"1","page":1,"active":true},{"url":null,"label":"Next »","page":null,"active":false}],"next_page_url":null,"path":"http:\/\/www.islamland.com\/index.php\/dag\/api\/authors\/3206","per_page":25,"prev_page_url":null,"to":null,"total":0},"audios":{"current_page":1,"data":[],"first_page_url":"http:\/\/www.islamland.com\/index.php\/dag\/api\/authors\/3206?audios_page=1","from":null,"last_page":1,"last_page_url":"http:\/\/www.islamland.com\/index.php\/dag\/api\/authors\/3206?audios_page=1","links":[{"url":null,"label":"« Previous","page":null,"active":false},{"url":"http:\/\/www.islamland.com\/index.php\/dag\/api\/authors\/3206?audios_page=1","label":"1","page":1,"active":true},{"url":null,"label":"Next »","page":null,"active":false}],"next_page_url":null,"path":"http:\/\/www.islamland.com\/index.php\/dag\/api\/authors\/3206","per_page":25,"prev_page_url":null,"to":null,"total":0},"articles":{"current_page":1,"data":[{"id":2544,"title":"Peter Sanders, Photographer, UK","slug":"peter-sanders-photographer-uk","word":"\/uploads\/articles\/en-Peter Sanders, Photographer, UK.docx","pdf":"\/uploads\/articles\/en-Peter Sanders, Photographer, UK.pdf","mime_type":null,"type":"node","path":"\/nodes\/view\/type:article\/slug:peter-sanders-photographer-uk","hint":"","body":"

Peter Sanders, Photographer, UK<\/strong><\/strong><\/span><\/p>\r\n

 \"\"<\/p>\r\n

Peter Sanders was born in London in 1946.  His professional career in photography began during the mid-sixties where he photographed most of the major stars in the music business including Bob Dylan, Jimi Hendrix, The Doors, The Who, the Rolling Stones etc.  Towards the end of the 1970’s, Sanders’ attention turned inward which set him on a spiritual search to India and then eventually to the Muslim world where the spiritual beauty of Islam left an indelible impression upon him.  After his return to England, he embraced Islam and was given the name Abd al-Adheem.  In 1971 he was granted the unique opportunity to photograph the rituals of Hajj or annual Muslim pilgrimage to Mecca.  These images appeared in the Sunday Times Magazine, The Observer, among many other major journals in recognition of their rareness.<\/span><\/p>\r\n

For Peter Sanders, faith and photography have both been part of his spiritual development.  It was his search to capture the essence of reality that led him to Islam and, with camera in hand, to the door of the Kaaba.  From photographing the most famous of idols in the music industry to the most sacred places in the Islamic world, Peter Sanders’ journey encompasses more than a change of focus for his camera lens.<\/span><\/p>\r\n

“Having photographed almost every famous person in the music industry I got bored and started getting in to spritual things.  I just wanted something else, and so I decided to go to India.  I packed everything up and went, looking for a teacher.  Eventually I found one, who was basically a Hindu but had a lot of what we consider ‘Muslim Qualities’.  I studied with him for about six months and when I cam back to England, some of my friends had become Muslim.  Then there were other friends who had gotten heavy into drugs and alchohol.  It was as if God was saying to me, ‘which direction do you want to go?’.<\/span><\/p>\r\n

“I didn’t know very much about Islam but I had dreams and various other things happened to me.  So I made a decision to become Muslim without knowing too much about it.  I was 24 years old at the time and within three months of becoming Muslim, I decided to go on Hajj.  I didn’t have the money but I just made the intention.  My elderly Muslim teacher at that time had also made the intention and I knew that I wanted to go too.  Someone gave me a ticket and I went.  It was at the Kaaba that I learnt that my teacher had died on the way.”<\/span><\/p>\r\n

At the time, back in 1971, photographs of the Hajj were quite rare.  Peter Sanders was granted special permission to photograph the sacred places; a decision that still amazes him.  “It was pretty unique for a Westerner to have taken pictures of the Hajj.  I had to sl;og from offices to offices in Jeddaj and Makkah and eventually I found a man that had the authority to grant me permission.  A lot of people didn’t want to take responsibility at the time, and they were generally not too keen on photography anyway, especially by a convert.  But this man was in a position to authorise me and he did so purely on trust.”<\/span><\/p>\r\n

For Peter Sanders, photography is essentially a means to capture the spirit of Islam.  As he describes his efforts to do this, the words of an Urdu poet come to mind: ‘To see the reality of Madinah you need more than just sight; you need vision’.  As if seeking to possess this vision is not a great enough mission in itself, Peter Sanders attempts to then convey it to others.  He has spent the last thirty years documenting the remains of traditional Islamic societies that are fast disappearing from the earth.  One of his ongoing projects in trying to capture dying traditions has been the compilation of a photographic album of the great scholars and saints of our time.  The two volumes, that he hopes to raise funds to publish, include pictures of people who were photographed for the first time and some of whom have passed away in recent months and years.<\/span><\/p>\r\n

About Peter Sanders[1]<\/a><\/span><\/h2>\r\n

Peter Sanders, internationally recognised as one of the worlds leading photographer of the Islamic World.<\/span><\/p>\r\n

The photographer began his career in the mid-1960’s covering Londons’ seminal rock and roll scene, capturing now legendary music icons in a collection that is considered a classic by collectors.<\/span><\/p>\r\n

Towards the end of the 1970’s, Sanders’ attention turned inward which set him on a spiritual search that took him to India and led him in the end to the Muslim world.  All the while the photographer captured his surroundings on film, creating a striking and disparate record of the last vestiges of traditional Muslim societies in transition.  Sanders’ own deep commitment to and love of traditional Islamic culture has brought him into intimate contact with people and places few photographers reach.<\/span><\/p>\r\n

“My photography has always been an extension of my life,” he said.  “Photography is a wonderful process - a gift from God - that has allowed me to learn so much about myself and the world around me.  Its like chasing a moment, trying to capture a beautiful bird in flight.”  “The photographs are extremely, extraordinarily beautiful,” claims Japanese Art Critic, Tsuyoshi Kawasoe.<\/span><\/p>\r\n

“One should not under-estimate the importance of Peter Sanders’ work,” said American writer Michael Sugich.  “He is the only photographer working today who has systematically and with great devotion to the task, covered vast areas of the Islamic world as an insider.  Because of his deep understanding of the culture and his impeccable spiritual courtesy, he has been able to photograph places and people that virtually no western photographer would be able to access.  He has left an indelible, poetic and ravishing record of an extraordinary time and a rich and fascinating culture.”<\/span><\/p>\r\n

It has also been quoted, “he captures the spritiual beauty of creation itself.”<\/span><\/p>\r\n

Sanders’ photographs have appeared in many international publications, including Time Magazine, Paris Match, The Observer, The Sunday Times Magazine, Aramco World and the London based pan-Arab news magazine Al Majalla who published his work as a cover story.<\/span><\/p>\r\n

His intimate photographs of the sacred cities of Makkah and Madinah are in great demand.<\/span><\/p>\r\n

Peter Sanders Photography Limited includes travel, location and studio photography, a photographic library of over 120,000 slides, as well as the production of fine art prints.<\/span><\/p>\r\n

This year will see the publication of his first photographic book, ‘In The Shade of The Tree.’  Another three are in mid-production, including one about the muslims in China.<\/span><\/p>\r\n

Peter Sanders’ Books<\/span><\/h2>\r\n

In the Shade of the Tree : A Photographic Odyssey Through the Muslim World.<\/span><\/p>\r\n

 <\/p>\r\n

\r\n
\r\n<\/div>\r\n

Footnotes:<\/strong><\/span><\/p>\r\n

[1]<\/a> (http:\/\/www.petersanders.co.uk)<\/span><\/p>\r\n

 <\/p>\r\n

 <\/p>","excerpt":"","terms":null,"visibility_roles":"","comment_status":1,"comment_count":0,"read_counter":9105,"lft":4871,"rght":4882,"promote":1,"sticky":0,"status":1,"publish_start":null,"publish_end":null,"created_at":"2014-10-19T00:51:00.000000Z","updated_at":"2026-04-03T23:44:12.000000Z","language_id":1,"user_id":7,"author_id":3206,"publisher_id":0,"category_id":10,"parent_id":null,"author_name":"Peter Sanders","category_name":"Why I became a Muslim!","category_slug":"Why-I-became-a-Muslim!","get_date":"2014-10-19","pdf_asset":"http:\/\/www.islamland.com\/uploads\/articles\/en-Peter Sanders, Photographer, UK.pdf","word_asset":"http:\/\/www.islamland.com\/uploads\/articles\/en-Peter Sanders, Photographer, UK.docx"},{"id":2545,"title":"Peter Sanders, fot\u00f3grafo, UK","slug":"peter-sanders-fotgrafo-uk","word":"\/uploads\/articles\/sp-Peter Sanders, Photographer, UK.docx","pdf":"\/uploads\/articles\/sp-Peter Sanders, Photographer, UK.pdf","mime_type":null,"type":"node","path":"\/nodes\/view\/type:article\/slug:peter-sanders-fotgrafo-uk","hint":"","body":"

Peter Sanders, fotógrafo, UK<\/span><\/h1>\r\n

 \"\"<\/span><\/p>\r\n

 <\/p>\r\n

 <\/p>\r\n

Peter Sanders nació en Londres, en 1946. Su carrera profesional en la fotografía empezó a mediados de los años 60, cuando fotografió a la mayoría de las estrellas más importantes en el negocio de la música, incluyendo a Bob Dylan, Jimi Hendrix, The Doors, The Who, los Rolling Stones, etc. Hacia finales de los años 70, la atención de Sanders se volvió hacia su interior, lo cual lo llevó a una búsqueda espiritual en la India y eventualmente al mundo musulmán, donde la belleza espiritual del Islam dejó en él una impresión indeleble. Luego de su regreso a Inglaterra, abrazó el Islam y le fue dado el nombre de Abdul Adhim. En 1971 le fue otorgada la oportunidad única de fotografiar los rituales del Hayy o el peregrinaje musulmán anual a La Meca. Estas imágenes aparecieron en laSunday Times Magazine<\/em> y The Observer<\/em>, entre otros diarios principales como reconocimiento a su rareza.<\/span><\/p>\r\n

Para Peter Sanders, la fe y la fotografía han sido parte de su desarrollo espiritual. Fue su búsqueda para capturar la esencia de la realidad lo que lo llevó al Islam y, con cámara en mano, a la puerta de la Kaaba. Desde fotografiar a los más famosos ídolos de la industria de la música, hasta los lugares más sagrados en el mundo islámico, el viaje de Peter Sanders abarca más que un cambio de foco para la lente de su cámara.<\/span><\/p>\r\n

“Habiendo fotografiado a casi todas las personas famosas en la industria de la música, me aburrí, y empecé a estar interesado en las cosas espirituales. Sólo quería algo diferente, y por lo tanto decidí ir a la India. Empaqué todo y fui en busca de un maestro. Eventualmente, encontré uno, quien era básicamente un hindú pero que tenía muchas de las que nosotros consideramos ‘cualidades musulmanas’. Estudié con él por cerca de 6 meses; y cuando volví a Inglaterra, algunos de mis amigos se habían vuelto musulmanes, pero también había otros amigos que se habían metido muy fuertemente en las drogas y el alcohol. Era como si Dios me estuviera diciendo: ‘¿En qué dirección quieres ir?’<\/span><\/p>\r\n

“Yo no sabía mucho acerca del Islam, pero tuve sueños y otras cosas me pasaban. Entonces, tome la decisión de volverme musulmán sin saber mucho sobre ello. Tenía 24 años de edad en ese tiempo, y a los 3 meses de haberme vuelto musulmán decidí irme al Hayy. No tenía el dinero, pero sí tenía la intención. Mi ya mayor maestro musulmán en ese tiempo tenía la intención de ir igual que yo. Alguien me dio un pasaje y fui. Fue en la Kaaba que me enteré que mi maestro había muerto en el camino”.<\/span><\/p>\r\n

En ese tiempo, allá en 1971, las fotografías del Hayy eran bastante raras. A Peter Sanders se le concedió un permiso especial para fotografiar los lugares sagrados, una decisión que aún lo sorprende. “Era bastante único para un occidental haber tomado imágenes del Hayy. Yo tuve que ir de oficina en oficina en Jeddah y La Meca, y eventualmente encontré a un hombre que tenía la autoridad para concederme el permiso. Muchas personas no querían asumir la responsabilidad en ese entonces y no eran muy afectas a la fotografía de todas formas, especialmente de parte de un converso. Pero este hombre estaba en una posición para autorizarme, y lo hizo puramente sobre una base de confianza”.<\/span><\/p>\r\n

Para Peters Sanders, la fotografía es, en esencia, un medio para capturar el espíritu del Islam. A medida que él describe sus esfuerzos para hacer esto, las palabras de un poeta Urdu vienen a la mente: “Para ver la realidad de Medina necesitas más que solamente la vista, necesitas visión”. Como si buscar poseer esta visión no fuera en sí una gran misión, Peter Sanders intenta entonces transmitirla a otros. El ha pasado los últimos treinta años documentando los restos de las sociedades islámicas tradicionales que están rápidamente desapareciendo de la Tierra. Uno de sus proyectos actuales donde trata de capturar las tradiciones que están desapareciendo, ha sido la compilación de un álbum fotográfico de los grandes eruditos y devotos de nuestro tiempo. Los dos volúmenes, que él espera reunir fondos para publicar, incluyen imágenes de personas que fueron fotografiadas por primera vez y algunas de quienes han muerto en los meses y años recientes.<\/span><\/p>\r\n

Acerca de Peter Sanders[1]<\/a><\/span><\/h2>\r\n

Peter Sanders, internacionalmente reconocido como uno de los fotógrafos más importantes del Mundo Islámico.<\/span><\/p>\r\n

El fotógrafo empezó su carrera a mediados de los años 60, cubriendo la escena germinal del rock and roll<\/em> de Londres, capturando a íconos de la música legendarios en una colección que es considerada un clásico por parte de los coleccionistas.<\/span><\/p>\r\n

Hacia finales de los años 1970, la atención de Sanders se tornó hacia su interior, en una búsqueda espiritual que lo llevó a la India y finalmente al mundo musulmán. Todo el tiempo el fotógrafo capturó sus alrededores en película, creando un registro notable y sin igual de los últimos vestigios de las sociedades musulmanas tradicionales en transición. El propio y profundo compromiso de Sanders, y el amor de la cultura islámica tradicional lo ha llevado a un contacto íntimo con personas y lugares a los que pocos fotógrafos han llegado.<\/span><\/p>\r\n

“Mi fotografía siempre ha sido una extensión de mi vida”, él dijo. “La fotografía es un proceso maravilloso –un regalo de Dios–, el cual me ha permitido aprender tanto acerca de mí mismo y del mundo a mi alrededor. Es como perseguir un momento, tratando de capturar a un hermoso pájaro en vuelo”. “Sus fotografías son extremada y extraordinariamente hermosas”, dice el Crítico de Arte Japonés, Tsuyoshi Kawasoe.<\/span><\/p>\r\n

“Uno no debe subestimar la importancia del trabajo de Peter Sanders”, dijo el escritor de Estados Unidos, Michael Sugich. “Él es el único fotógrafo activo hoy que ha cubierto, sistemáticamente y con gran devoción, las vastas áreas del mundo islámico desde adentro. Debido a su profundo entendimiento de la cultura y a su impecable cortesía espiritual, él ha sido capaz de fotografiar lugares a los que virtualmente ningún fotógrafo occidental sería capaz de tener acceso. Él ha dejado un registro indeleble, poético y encantador de un tiempo extraordinario y de una cultura rica y fascinante”.<\/span><\/p>\r\n

También ha sido citado: “Él captura la belleza espiritual de la creación misma”.<\/span><\/p>\r\n

Las fotografías de Sanders han aparecido en muchas publicaciones internacionales, incluyendo Time Magazine<\/em>, Paris Match<\/em>, The Observer<\/em>, The Sunday Times Magazine<\/em>, <\/em>Aramco World<\/em> y la revista de noticias pan-árabe con sede en Londres Al Majalla<\/em>, la cual publicó su trabajo como historia de portada.<\/span><\/p>\r\n

Sus íntimas fotografías de las ciudades sagradas de La Meca y Medina tienen gran demanda.<\/span><\/p>\r\n

Peter Sanders Photography Limited<\/em> incluye fotografías de viajes, locaciones y estudio, una biblioteca fotográfica de más de 120,000 diapositivas, así como la producción de impresiones de bellas artes.<\/span><\/p>\r\n

Este año se verá la publicación de su primer libro fotográfico A la Sombra del Árbol<\/em>. Otros tres están en medio de su producción, incluyendo uno acerca de los musulmanes en China.<\/span><\/p>\r\n

Libros de Peter Sanders<\/span><\/h2>\r\n

A la Sombra del Árbol: Una Odisea Fotográfica A Través del Mundo Musulmán.<\/span><\/p>\r\n

 <\/p>\r\n

\r\n
\r\n<\/div>\r\n

Footnotes:<\/strong><\/span><\/p>\r\n

[1]<\/a> (http:\/\/www.petersanders.co.uk)<\/span><\/p>\r\n

 <\/p>\r\n

 <\/p>","excerpt":"","terms":null,"visibility_roles":"","comment_status":1,"comment_count":0,"read_counter":7473,"lft":4872,"rght":4873,"promote":1,"sticky":0,"status":1,"publish_start":null,"publish_end":null,"created_at":"2014-10-19T00:51:00.000000Z","updated_at":"2026-04-03T12:14:59.000000Z","language_id":12,"user_id":7,"author_id":3206,"publisher_id":0,"category_id":10,"parent_id":2544,"author_name":"Peter Sanders","category_name":"Why I became a Muslim!","category_slug":"Why-I-became-a-Muslim!","get_date":"2014-10-19","pdf_asset":"http:\/\/www.islamland.com\/uploads\/articles\/sp-Peter Sanders, Photographer, UK.pdf","word_asset":"http:\/\/www.islamland.com\/uploads\/articles\/sp-Peter Sanders, Photographer, UK.docx"},{"id":2546,"title":"Peter Sanders, photographe, Royaume-Uni","slug":"peter-sanders-photographe-royaume-uni","word":"\/uploads\/articles\/fr-Peter Sanders, Photographer, UK.docx","pdf":"\/uploads\/articles\/fr-Peter Sanders, Photographer, UK.pdf","mime_type":null,"type":"node","path":"\/nodes\/view\/type:article\/slug:peter-sanders-photographe-royaume-uni","hint":"","body":"

Peter Sanders, photographe, Royaume-Uni<\/span><\/h1>\r\n

\"\"<\/span><\/p>\r\n

 <\/p>\r\n

Peter Sanders est né à Londres en 1946.  Il débute sa carrière professionnelle vers le milieu des années soixante, époque où il photographe la plupart des grandes stars du moment dont Bob Dylan, Jimi Hendrix, The Doors, The Who et les Rolling Stones.  Vers la fin des années soixante, il se met à réfléchir sur sa vie et son destin; il entame alors une quête spirituelle qui l’amène d’abord en Inde, puis dans le monde musulman, où la beauté spirituelle de l’islam laisse chez lui une impression indélébile.  De retour en Angleterre, il décide d’embrasser l’islam et adopte le nom d’Abd al-Adhim.  En 1971, on lui accorde une permission unique de photographier les pèlerins lors des rituels du Hajj (pèlerinage annuel des musulmans à la Mecque).  Ces images rares sont publiées dans le Sunday Times Magazine et The Observer, parmi plusieurs autres grands journaux et magazines.<\/span><\/p>\r\n

Pour Peter Sanders, la foi et la photographie ont toujours fait partie de son développement spirituel.  C’est sa tentative de saisir l’essence même de la réalité qui l’a amené vers l’islam et, caméra à la main, vers la porte de la Ka’aba.  Des photographies de rock stars à celles des lieux les plus sacrés du monde musulman, le cheminement et la carrière de Peter Sanders ont connu des virages majeurs.<\/span><\/p>\r\n

 « J’arrivai à un point où j’avais photographié à peu près toutes les stars de l’industrie de la musique; je m’ennuyais et je décidai d’entreprendre une quête spirituelle.  Je cherchais un plus à ma vie et je partis pour l’Inde, à la recherche d’une personne qui puisse me guider.  Je trouvai cette personne; il s’agissait d’un hindou qui possédait plusieurs de ce qu’on appelle les « qualités musulmanes ».  J’étudiai avec lui durant près de six mois et lorsque je revins en Angleterre, je découvris que quelques-uns de mes amis s’étaient convertis à l’islam.  J’appris également que certains autres étaient tombés dans l’enfer de la drogue et de l’alcool.  C’était comme si Dieu me demandait : « Et toi : quelle direction souhaites-tu prendre? ».<\/span><\/p>\r\n

« Je ne connaissais pas grand’chose à l’islam, mais je fis l’expérience de certains rêves et des choses étranges m’arrivèrent.  Lorsque je pris la décision de devenir musulman, je n’étais pas très informé sur l’islam.  J’avais 24 ans, à l’époque, et trois mois après ma conversion, je décidai d’aller faire le Hajj.  Je n’en avais pas les moyens, mais l’intention seulement.  L’homme âgé qui m’enseignait l’islam à ce moment-là en avait également l’intention.  Puis, quelqu’un m’offrit un billet en cadeau; je pus donc y aller.  C’est devant la Ka’aba que j’appris que celui qui m’enseignait était décédé alors qu’il se rendait lui aussi à la Mecque. »<\/span><\/p>\r\n

En 1971, les photographes étaient très rarement admis au Hajj.  Mais Peter Sanders reçut une permission spéciale dont il s’étonne encore aujourd’hui.  « C’était une occasion unique pour un Occidental que de pouvoir prendre des photos du Hajj.  J’ai dû faire preuve de détermination et me présenter de bureaux en bureaux, à Jeddah et à la Mecque, jusqu’à ce que je trouve un homme dont l’autorité lui permettait de m’accorder cette permission.  Nombreux furent ceux qui refusèrent de prendre la responsabilité de m’accorder cette permission.  De toute façon, d’une manière générale, la plupart n’étaient pas particulièrement d’accord avec le principe même de la photographie, surtout si elle était faite par un converti.  Mais cet homme était en position de m’accorder l’autorisation et, sans vraiment me connaître, il m’a aussi accordé sa confiance. »<\/span><\/p>\r\n

Pour Peter Sanders, la photographie est essentiellement un moyen de capturer sur pellicule l’esprit de l’islam.  Alors qu’il nous décrit ses efforts en ce sens, les paroles d’un poète ourdou nous reviennent à l’esprit : « Pour saisir la réalité de Médine, tu as besoin de plus que tes yeux; tu as besoin de vision. »  Comme si posséder cette vision ne lui suffisait pas, Peter Sanders cherche à la transmettre aux autres.  Il a passé les trente dernières années à photographier et documenter ce qui reste des sociétés islamiques traditionnelles, car elles disparaissent de la surface de la terre à un rythme effarant.  L’un de ses projets actuels consiste d’ailleurs à compiler des albums contenant les photos des grands érudits musulmans de notre époque.  Les deux volumes, pour la publication desquels il espère collecter suffisamment de fonds, comprennent des photographies de gens qui n’avaient jamais été photographiés auparavant, et d’autres de gens qui nous ont quitté au cours des dernières années ou des derniers mois.<\/span><\/p>\r\n

Au sujet de Peter Sanders<\/span><\/h2>\r\n

Peter Sanders est reconnu au niveau international comme l’un des plus grands photographes du monde musulman.<\/span><\/p>\r\n

Il a débuté sa carrière au milieu des années 60 sur la scène musicale rock de Londres, photographiant plusieurs stars légendaires et compilant leurs photos dans un album considéré comme un classique par les collectionneurs.<\/span><\/p>\r\n

Vers la fin des années soixante, il se mit à réfléchir sur sa vie et son destin; il entama une quête spirituelle qui l’amena d’abord en Inde, puis dans le monde musulman.  Durant ses voyages, le photographe prit de nombreux clichés des derniers vestiges des sociétés islamiques traditionnelles allant doucement vers leur déclin.  L’intérêt personnel de Sanders et son amour profond pour la culture islamique traditionnelle l’ont amené à entrer en contact étroit avec des gens et des lieux que très peu de photographes ont pu atteindre.<\/span><\/p>\r\n

« Mon œuvre a toujours été comme un prolongement de ma vie », dit-il.  « La photographie est un merveilleux processus – un cadeau de Dieu – qui m’a permis d’apprendre énormément sur moi-même et sur le monde qui m’entoure.  C’est comme si je me lançais à la poursuite de l’instant, comme lorsque je tente d’immortaliser un oiseau en plein vol. »  « Ses photos sont extraordinairement belles », affirme pour sa part le critique d’art Tsuyoshi Kawasoe.<\/span><\/p>\r\n

« Nul ne doit sous-estimer l’importance de l’œuvre de Peter Sanders », affirme quant à lui l’écrivain américain Michael Sugich.  « De nos jours, il est le seul photographe qui a, de façon systématique et avec un grand dévouement, couvert la plupart des régions du monde islamique en tant que membre de cette communauté internationale.  Grâce à sa compréhension de la culture islamique et à son irréprochable courtoisie, il a été en mesure de photographier des endroits et des gens auxquels nul photographe occidental ne pourrait jamais avoir accès.  Il laissera derrière lui un témoignage splendide, poétique et indélébile d’une époque extraordinaire et d’une culture fascinante d’une grande richesse. »<\/span><\/p>\r\n

On a également dit de Peter Sanders qu’il « sait capturer la beauté spirituelle de la création. »<\/span><\/p>\r\n

Les photos de Peter Sanders ont été publiées par de nombreuses publications internationales, dont le Time Magazine, Paris Match, The Observer, The Sunday Times Magazine, Aramco World et le magazine panarabe basé à Londres, Al-Majalla, qui a publié certaines de ses œuvres en page couverture.<\/span><\/p>\r\n

Ses photos intimistes des deux villes sacrées de la Mecque et de Médine sont très en demande.<\/span><\/p>\r\n

Peter Sanders Photography Limited inclut des photos de voyage, de même que des photos d’extérieur et de studio, soit une collection de plus de 120 000 clichés.  La compagnie fait également dans les épreuves artistiques.<\/span><\/p>\r\n

Enfin, Peter Sanders a produit un livre intitulé « In the Shade of the Tree », une odyssée photographique du monde musulman.<\/span><\/p>\r\n

 <\/p>\r\n

 <\/p>","excerpt":"","terms":null,"visibility_roles":"","comment_status":1,"comment_count":0,"read_counter":5535,"lft":4874,"rght":4875,"promote":1,"sticky":0,"status":1,"publish_start":null,"publish_end":null,"created_at":"2014-10-19T00:51:00.000000Z","updated_at":"2026-04-04T07:56:34.000000Z","language_id":9,"user_id":7,"author_id":3206,"publisher_id":0,"category_id":10,"parent_id":2544,"author_name":"Peter Sanders","category_name":"Why I became a Muslim!","category_slug":"Why-I-became-a-Muslim!","get_date":"2014-10-19","pdf_asset":"http:\/\/www.islamland.com\/uploads\/articles\/fr-Peter Sanders, Photographer, UK.pdf","word_asset":"http:\/\/www.islamland.com\/uploads\/articles\/fr-Peter Sanders, Photographer, UK.docx"},{"id":2547,"title":"Peter Sanders, Fotograf, UK","slug":"peter-sanders-fotograf-uk","word":"\/uploads\/articles\/de-Peter Sanders, Photographer, UK.docx","pdf":"\/uploads\/articles\/de-Peter Sanders, Photographer, UK.pdf","mime_type":null,"type":"node","path":"\/nodes\/view\/type:article\/slug:peter-sanders-fotograf-uk","hint":"","body":"

Peter Sanders, Fotograf, UK<\/span><\/h1>\r\n

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Peter Sanders wurde 1946 in London geboren.  Mitte der 60er begann seine professionelle Karriere als Fotograf, wo er die größten Stars im Musikgeschäft, einschließlich Bob Dylan, Jimi Hendrix, The Doors, The Who, the Rolling Stones und andere ablichtete.  Gegen Ende der 70er wandte sich Sanders Aufmerksamkeit nach innen, seine spirituelle Suche führte ihn nach Indien und dann schließlich in die muslimische Welt, wo die spirituelle Schönheit des Islam einen unauslöschlichen Eindruck bei ihm hinterließ.  Nach seiner Rückkehr nach England nahm er den Islam an und ihm wurde der Name Abd al-Adheem gegeben.  1971 wurde ihm die einzigartige Gelegenheit zuteil, die Riten des Ha\u01e7\u01e7 oder der jährlichen Pilgerfahrt der Muslime nach Mekka zu fotografieren.  Diese Aufnahmen erschienen im Sunday Times Magazine, The Observer, unter anderen großen Journalen, die diese Raritäten zu schätzen wussten.  <\/span><\/p>\r\n

Für Peter Sanders waren Glaube und Fotografie beide an seiner spirituellen Entwicklung beteiligt.  Es war sein Versuch die Essenz der Realität zu erfassen, die ihn zum Islam geführt hat, und mit der Kamera in der Hand zur Tür der Kaaba.  Vom Ablichten der berühmtesten Idole der Musikindustrie zu den heiligsten Stätten der islamischen Welt, umfasst Peter Sanders Reise mehr als nur eine Veränderung des Focus seiner Kameralinsen. <\/span><\/p>\r\n

“Nachdem ich fast jede berühmte Person der Musikindustrie fotografiert hatte, wurde mir langweilig und ich fing an, mich mit spirituellen Dingen zu befassen.  Ich wollte einfach etwas anderes, und so entschloss ich mich, nach Indien zu gehen.  Ich packte und ging, um einen Lehrer zu suchen.  Schließlich fand ich einen, der im Grunde Hindu war, aber vieles von dem verkörperte, was wir als „muslimische Eigenschaften“ betrachten.  Ich studierte ungefähr sechs Monate mit ihm und als ich nach England zurück kam, waren einige meiner Freunde Muslime geworden.  Dann gab es dort noch andere Freunde, die ziemlich hart auf Drogen und Alkohol abgerutscht waren.   Es war, als würde Gott zu mir sagen: ´welche Richtung möchtest du einschlagen?´<\/span><\/p>\r\n

“Ich wusste nicht viel über den Islam, aber ich hatte Träume und verschiedene andere Dinge geschahen mir.  Da traf ich eine Entscheidung, Muslim zu werden, ohne viel darüber zu wissen.  Ich war zu jener Zeit 24 Jahre alt und innerhalb von drei Monaten nachdem ich Muslim geworden war, entschloss ich mich, zum Ha\u01e7\u01e7 zu gehen.  Ich hatte nicht das Geld, aber ich fasste die Absicht.  Mein älterer muslimischer Lehrer zu jener Zeit hatte ebenfalls die Absicht, und ich wusste, dass ich auch gehen wollte.  Jemand gab mir ein Ticket und ich ging.  Ich war bei der Kaaba, als ich erfuhr, dass mein Lehrer auf dem Weg gestorben war.”<\/span><\/p>\r\n

In der damaligen Zeit,1971, waren Fotos vom Ha\u01e7\u01e7 ziemlich selten.  Peter Sanders war eine besondere Erlaubnis erteilt worden, die heiligen Stätten zu fotografieren; eine Entscheidung, die ihn noch immer erstaunt.  “Es war einzigartig für einen Westler, Aufnahmen vom Ha\u01e7\u01e7 gemacht zu haben.  Ich musste in Jeddah und Mekka von einem Büro zum nächsten hetzen, und schließlich fand ich einen Mann, der die Befugnis besaß, mir eine Erlaubnis zu erteilen.  Viele Menschen wollten zu jener Zeit nicht die Verantwortung übernehmen, sie waren allgemein nicht scharf auf Fotografien, besonders nicht von einem Konvertiten.  Doch dieser Mann war in einer Position, dass er es mir gestatten konnte und dies tat er aus reinem Vertrauen.”<\/span><\/p>\r\n

Für Peter Sanders ist das Fotografieren etwas Wesentliches, um das Wesen des Islam einzufangen.  Als er seine Bemühungen beschreibt, erinnert er sich an die Worte eines Dichters in Urdu: ‘Um die Wirklichkeit Medinas zu sehen, braucht man mehr als nur Sehvermögen; du brauchst Vision.’  Als wenn der Versuch diese Vision zu besitzen nicht genug wäre, versucht Peter Sanders, sie dann anderen zu vermitteln.  Er hat die vergangenen dreißig Jahre damit verbracht, die verbliebenen traditionellen islamischen Gesellschaften zu dokumentieren, die schnell von der Erde verschwinden.  Eines seiner andauernden Projekte, das darin besteht, zu versuchen, sterbende Traditionen einzufangen, war die Zusammenstellung eines Fotoalbums der größten Gelehrten und Heiligen unserer Zeit.  Die beiden Bände, für die er hofft, das Kapital aufzubringen, um sie veröffentlichen zu können, schließt Bilder von Menschen mit ein, die zum ersten mal fotografiert wurden und einige von ihnen sind in den vergangenen Monaten und Jahren verstorben. <\/span><\/p>\r\n

Über Peter Sanders[1]<\/a><\/span><\/h2>\r\n

Peter Sanders ist international als einer der führenden Fotografen der islamischen Welt anerkannt.<\/span><\/p>\r\n

Der Fotograf begann seine Karriere in der Mitte der 60er Jahre, erfasste Londons wegweisende Rock and Rollszene, lichtete heute legendäre Musikikonen in einer Sammlung ab, die bei Sammlern als klassisch eingestuft wird.  <\/span><\/p>\r\n

Gegen Ende der 70er Jahre wandelte sich Sanders Aufmerksamkeit nach innen, wodurch bei ihm eine spirituelle Suche einsetzte, die ihn nach Indien verschlug, und dann in der Muslimischen Welt endete.  Die ganze Zeit hat der Fotograf seine Umgebung auf Bilder gebannt, womit er einen markanten und ungleichen Bericht der letzten Überreste traditioneller islamischer Gesellschaften im Übergang geschaffen hat. Sanders’ eigene tiefe Verpflichtung und Liebe zur traditionellen islamischen Kultur hat ihn in einen engen Kontakt zu Menschen und Plätzen gebracht, die nur wenige Fotografen erreichen konnten.<\/span><\/p>\r\n

“Meine Fotografie ist immer schon eine Ausdehnung meines Lebens gewesen”, sagte er.  “Fotografie ist ein wundervoller Prozess – ein Geschenk Gottes – das es mit gestattet hat, viel über mich selbst und die Welt um mich herum zu lernen.  Es ist, als wolle man einen Moment jagen, versuchen, einen wunderschönen Vogel im Flug festzuhalten.”  “Die Fotografien sind höchst außergewöhnlich schön”, behauptet der japanische Kunstkritiker Tsuyoshi Kawasoe.<\/span><\/p>\r\n

“Man sollte die Wichtigkeit von Peter Sanders Werk nicht unterschätzen”, sagte der amerikanische Schriftsteller Michael Sugich.  “Er ist der einzige Fotograf, der heute tätig ist, der systematisch und mit großer Hingabe zur Aufgabe arbeitet, der große Areale der islamischen Welt als Insider abgedeckt hat.  Aufgrund seines tiefen Verständnisses der Kultur und seiner tadellosen spirituellen Höflichkeit war er in der Lage, Orte und Menschen zu fotografieren, zu denen kein westlicher Fotograf Zugang erhalten würde.  Er hat einen unauslöschlichen, poetischen und hinreißenden Bericht von einer außergewöhnlichen Zeit und einer reichen und faszinierenden Kultur hinterlassen.”<\/span><\/p>\r\n

Es wurde ebenfalls zitiert: “er fängt die spirituelle Schönheit der Schöpfung selbst ein.”<\/span><\/p>\r\n

Sanders’ Fotografien sind in vielen internationalen Publikationen erschienen, einschließlich dem Time Magazine, Paris Match, The Observer, The Sunday Times Magazine, Aramco World und dem in London basierten pan-Arab news Magazin Al Majalla, die sein Werk als Cover Story herausbrachten. <\/span><\/p>\r\n

Seine vertrauten Fotografien von den heiligen Städten Mekka und Medina sind sehr gefragt. <\/span><\/p>\r\n

Peter Sanders Photography Limited umfasst Reise, Lokation und Studiofotografie, eine fotografische Sammlung von über 120,000 Dias, ebenso wie die Produktion feiner Kunstdrucke.  <\/span><\/p>\r\n

Dieses Jahr wird sein erstes Fotografisches Buch ‘In The Shade of The Tree’ (Im Schatten des Baumes) veröffentlicht.  Weitere drei sind in der Produktion, einschließlich einem über die Muslime in China. <\/span><\/p>\r\n

Peter Sanders’ Bücher<\/span><\/h2>\r\n

In the Shade of the Tree (Im Schatten des Baumes) : Eine fotografische Odyssee durch die muslimische Welt. <\/span><\/p>\r\n

 <\/p>\r\n

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Footnotes:<\/strong><\/span><\/p>\r\n

[1]<\/a> (http:\/\/www.petersanders.co.uk)<\/span><\/p>\r\n

 <\/p>\r\n

 <\/p>","excerpt":"","terms":null,"visibility_roles":"","comment_status":1,"comment_count":0,"read_counter":7226,"lft":4876,"rght":4877,"promote":1,"sticky":0,"status":1,"publish_start":null,"publish_end":null,"created_at":"2014-10-19T00:51:00.000000Z","updated_at":"2026-04-04T02:36:40.000000Z","language_id":7,"user_id":7,"author_id":3206,"publisher_id":0,"category_id":10,"parent_id":2544,"author_name":"Peter Sanders","category_name":"Why I became a Muslim!","category_slug":"Why-I-became-a-Muslim!","get_date":"2014-10-19","pdf_asset":"http:\/\/www.islamland.com\/uploads\/articles\/de-Peter Sanders, Photographer, UK.pdf","word_asset":"http:\/\/www.islamland.com\/uploads\/articles\/de-Peter Sanders, Photographer, UK.docx"},{"id":2548,"title":"Peter Sanders, Fot\u00f3grafo, Reino Unido","slug":"peter-sanders-fotgrafo-reino-unido","word":"\/uploads\/articles\/pt-Peter Sanders, Photographer, UK.docx","pdf":"\/uploads\/articles\/pt-Peter Sanders, Photographer, UK.pdf","mime_type":null,"type":"node","path":"\/nodes\/view\/type:article\/slug:peter-sanders-fotgrafo-reino-unido","hint":"","body":"

Peter Sanders, Fotógrafo, Reino Unido<\/span><\/h1>\r\n

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Peter Sanders nasceu em Londres em 1946.  Sua carreira profissional em fotografia começou em meados dos anos 60 quando fotografou as principais estrelas da música incluindo Bob Dylan, Jimi Hendrix, The Doors, The Who, Rolling Stones, etc. Por vota do final dos anos 70 a atenção de Sanders se voltou para os assuntos da alma, o que o colocou em uma busca espiritual na Índia e finalmente no mundo muçulmano, onde a beleza espiritual do Islã lhe deixou uma impressão indelével.  Depois de seu retorno à Inglaterra abraçou o Islã e recebeu o nome de Abd al-Adhim.  Em 1971 lhe foi concedida a oportunidade única de fotografar os rituais do Hajj, ou a peregrinação anual à Meca.  Essas imagens apareceram na revista Sunday Times, no jornal The Observer, e em muitos dos principais jornais em função de sua raridade.<\/span><\/p>\r\n

Para Peter Sanders, fé e fotografia tinham sido parte de seu desenvolvimento espiritual.  Foi sua busca em capturar a essência da realidade que o levou ao Islã e, com a câmera na mão, para a porta da Caaba.  De fotografar os ídolos mais famosos na indústria da música aos lugares mais sagrados no mundo islâmico, a jornada de Peter Sanders abrange mais que uma mudança de foco para as lentes de sua câmera.<\/span><\/p>\r\n

“Ter fotografado quase todas as pessoas famosas na indústria da música me entediou e comecei a me envolver com coisas espirituais. Queria algo mais e por isso decidi ir para a Índia. Fiz as malas e fui, procurando por um professor. Finalmente encontrei um, que era basicamente um hindu que tinha muitas do que consideramos “qualidades islâmicas”. Estudei com ele por aproximadamente seis meses e quando voltei para a Inglaterra, alguns dos meus amigos tinham se tornado muçulmanos. E havia outros amigos que tinham se envolvido pesadamente com drogas e álcool. Era como se Deus estivesse me perguntando: “Que direção você quer tomar?”<\/span><\/p>\r\n

“Não sabia muito sobre o Islã mas tive sonhos e várias outras coisas aconteceram comigo. Então, decidi me tornar muçulmano sem saber muito a respeito. Tinha 24 anos na época e três meses depois de me tornar muçulmano, decidi fazer o Hajj. Não tinha o dinheiro, mas já tinha feito minha intenção. Meu professor muçulmano e idoso na época também tinha feito a intenção e sabia que eu queria ir. Alguém me deu a passagem e eu fui. Foi na Caaba que soube que meu professor tinha morrido no caminho.”<\/span><\/p>\r\n

Naquela época, em 1971, fotografias do Hajj eram muito raras.  Peter Sanders recebeu permissão especial para fotografar os locais sagrados, uma decisão que ainda o surpreende.  “Era muito raro para um ocidental tirar fotografias do Hajj. Fui de escritórios a escritórios em Jedá e Meca e finalmente encontrei um homem que tinha a autoridade para me conceder a permissão. Muitas pessoas não queriam assumir a responsabilidade na época, e geralmente não gostavam muito de fotografias, especialmente feitas por um convertido. Mas esse homem estava em posição de me autorizar e o fez baseado puramente em confiança.”<\/span><\/p>\r\n

Para Peter Sanders, a fotografia é essencialmente um meio de capturar o espírito do Islã.  Enquanto descreve seus esforços, as palavras de um poeta Urdu lhe vêm à mente: “Para ver a realidade de Medina não basta olhar, precisa de visão.” Como se buscar essa visão já não fosse uma missão grande o bastante, Peter Sanders tentou transmiti-la a outros.  Passou os últimos trinta anos documentando os resquícios de sociedades islâmicas tradicionais que estão desaparecendo rapidamente da terra.  Um de seus projetos em andamento, na tentativa de capturar tradições em extinção, tem sido a compilação de um álbum fotográfico dos grandes estudiosos e santos de nosso tempo.  Os dois volumes, que ele espera levantar fundos para publicar, incluem fotos de pessoas que foram fotografadas pela primeira vez, algumas das quais faleceram em meses e anos recentes.<\/span><\/p>\r\n

Sobre Peter Sanders[1]<\/a><\/span><\/h2>\r\n

Peter Sanders, reconhecido internacionalmente como um dos fotógrafos de destaque do Mundo Islâmico.<\/span><\/p>\r\n

O fotógrafo começou sua carreira em meados dos anos 60 cobrindo o cenário original de rock em Londres, capturando os agora lendários ícones da música em uma coleção que é considerada um clássico para colecionadores.<\/span><\/p>\r\n

Por vota do final dos anos 70 a atenção de Sanders se voltou para os assuntos da alma, o que o colocou em uma busca espiritual que o levou à Índia e finalmente ao mundo muçulmano.  Todo o tempo o fotógrafo capturou o que estava ao seu redor em filme, criando um registro diferente e notável dos últimos vestígios de sociedades muçulmanas tradicionais em transição.  O profundo comprometimento e amor de Sanders pela cultura islâmica tradicional o colocou em contato íntimo com pessoas e lugares que poucos fotógrafos alcançaram.<\/span><\/p>\r\n

“Minha fotografia sempre foi uma extensão de minha vida”, disse.  “A fotografia é um processo maravilhoso – uma dádiva de Deus – que me permitiu aprender muito sobre mim mesmo e sobre o mundo ao meu redor. É como gravar um momento, tentando capturar um belo pássaro no voo.” “As fotografias são extrema e extraordinariamente belas,” diz a crítica de arte japonesa Tsuyoshi Kawasoe.<\/span><\/p>\r\n

“Não se deve subestimar a importância do trabalho de Peter Sanders,” disse o escritor americano Michael Sugich.  “Ele é o único fotógrafo em atividade hoje que sistematicamente e com grande devoção, cobriu áreas vastas do mundo islâmico como uma pessoa íntima do tema. Por causa de seu profundo entendimento da cultura e de sua cortesia espiritual impecável, foi capaz de fotografar lugares e pessoas que virtualmente nenhum fotógrafo ocidental foi capaz de acessar. Deixou um registro indelével, poético e arrebatador de um momento extraordinário e de uma cultura rica e fascinante.”<\/span><\/p>\r\n

Também foi citado: “Ele captura a beleza espiritual da própria criação.”<\/span><\/p>\r\n

As fotografias de Sanders apareceram em muitas publicações internacionais, incluindo Time Magazine, Paris Match, The Observer, The Sunday Times Magazine, Aramco World e a revista de notícias pan-árabe baseada em Londres Al-Majalla, que publicou seu trabalho como matéria de capa.<\/span><\/p>\r\n

Suas fotografias íntimas das cidades sagradas de Meca e Medina estão em grande demanda.<\/span><\/p>\r\n

Peter Sanders Photography Limited inclui viagem, locação e estúdio de fotografia, uma biblioteca fotográfica de mais de 120.000 slides e também produção de impressões de arte.<\/span><\/p>\r\n

Esse ano acontecerá a publicação de seu primeiro livro fotográfico, “‘In The Shade of The Tree” (Na Sombra da Árvore<\/em>, em tradução livre).  Outros três estão em produção, incluindo um sobre os muçulmanos na China.<\/span><\/p>\r\n

Livros de Peter Sanders<\/span><\/h2>\r\n

In the Shade of the Tree : A Photographic Odyssey Through the Muslim World (Na Sombra da Árvore : Uma Odisséia Fotográfica Pelo Mundo Muçulmano<\/em>, em tradução livre).<\/span><\/p>\r\n

 <\/p>\r\n

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Footnotes:<\/strong><\/span><\/p>\r\n

[1]<\/a> (http:\/\/www.petersanders.co.uk)<\/span><\/p>\r\n

 <\/p>\r\n

 <\/p>","excerpt":"","terms":null,"visibility_roles":"","comment_status":1,"comment_count":0,"read_counter":5609,"lft":4878,"rght":4879,"promote":1,"sticky":0,"status":1,"publish_start":null,"publish_end":null,"created_at":"2014-10-19T00:51:00.000000Z","updated_at":"2026-04-04T03:37:28.000000Z","language_id":15,"user_id":7,"author_id":3206,"publisher_id":0,"category_id":10,"parent_id":2544,"author_name":"Peter Sanders","category_name":"Why I became a Muslim!","category_slug":"Why-I-became-a-Muslim!","get_date":"2014-10-19","pdf_asset":"http:\/\/www.islamland.com\/uploads\/articles\/pt-Peter Sanders, Photographer, UK.pdf","word_asset":"http:\/\/www.islamland.com\/uploads\/articles\/pt-Peter Sanders, Photographer, UK.docx"},{"id":2549,"title":"\u82f1\u56fd\u6444\u5f71\u5e08\u5f7c\u5f97\u00b7\u6851\u5fb7\u65af","slug":"dgdggggg","word":"\/uploads\/articles\/zh-Peter Sanders, Photographer, UK.docx","pdf":"\/uploads\/articles\/zh-Peter Sanders, Photographer, UK.pdf","mime_type":null,"type":"node","path":"\/nodes\/view\/type:article\/slug:dgdggggg","hint":"","body":"

\u82f1\u56fd\u6444\u5f71\u5e08\u5f7c\u5f97·\u6851\u5fb7\u65af<\/span><\/h1>\r\n

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 <\/p>\r\n

 <\/p>\r\n

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“\u4e3a\u660e\u661f\u62cd\u6444\u5927\u91cf\u7167\u7247\u4e4b\u540e\uff0c\u6211\u5f00\u59cb\u611f\u89c9\u7cbe\u795e\u7a7a\u865a\uff0c\u7ee7\u800c\u8f6c\u5411\u4e86\u7cbe\u795e\u8ffd\u6c42\u3002\u6211\u53ea\u60f3\u751f\u547d\u4e2d\u6709\u4e9b\u4e0d\u540c\uff0c\u4e8e\u662f\u5c31\u53bb\u4e86\u5370\u5ea6\u3002\u5e26\u7740\u884c\u674e\uff0c\u627e\u5230\u4e00\u4e2a\u5370\u5ea6\u4eba\u505a\u8001\u5e08\uff0c\u4f46\u539f\u662f\u5370\u5ea6\u6559\u5f92\uff0c\u4f46\u4ed6\u8eab\u4e0a\u6709\u8bb8\u591a‘\u7a46\u65af\u6797\u7279\u70b9’\u3002\u5b66\u4e60\u516d\u4e2a\u6708\u540e\uff0c\u6211\u56de\u5230\u82f1\u56fd\uff0c\u53d1\u73b0\u8bb8\u591a\u670b\u53cb\u4fe1\u4ef0\u4e86\u4f0a\u65af\u5170\uff0c\u8bb8\u591a\u670b\u53cb\u4ecd\u5728\u9157\u9152\u5438\u6bd2\u6d51\u6d51\u5669\u5669\u3002\u770b\u5230\u8fd9\u4e9b\uff0c\u4eff\u4f5b\u5b89\u62c9\u5728\u5bf9\u6211\u8bf4\uff0c\u4f60\u5c06\u4f55\u53bb\u4f55\u4ece\uff1f”<\/span><\/p>\r\n

“\u5c3d\u7ba1\u6211\u5bf9\u4f0a\u65af\u5170\u4e86\u89e3\u4e0d\u591a\uff0c\u4f46\u6211\u6709\u5f88\u591a\u68a6\u60f3\uff0c\u6211\u6709\u5f88\u591a\u7ecf\u5386\uff0c\u6211\u51b3\u5b9a\u6210\u4e3a\u7a46\u65af\u6797\u300224\u5c81\u90a3\u5e74\uff0c\u4e5f\u5c31\u662f\u6211\u6210\u4e3a\u7a46\u65af\u6797\u4e09\u4e2a\u6708\u540e\uff0c\u6211\u5c31\u60f3\u53bb\u9ea6\u52a0\u671d\u89d0\u3002\u6211\u6ca1\u6709\u8def\u8d39\uff0c\u53ea\u6709\u4e3e\u610f\u3002\u5e74\u957f\u7684\u7a46\u65af\u6797\u8001\u5e08\u4e5f\u6709\u4e3e\u610f\uff0c\u4e5f\u77e5\u9053\u6211\u5f88\u60f3\u53bb\u3002\u6709\u4eba\u7ed9\u6211\u4e70\u7968\uff0c\u8ba9\u6211\u53bb\u4e86\u9ea6\u52a0\u3002\u5728\u5929\u623f\u8ddf\u524d\uff0c\u6211\u5f97\u77e5\u8001\u5e08\u5df2\u5f52\u771f\u5728\u9014\u4e2d\u3002”<\/span><\/p>\r\n

1971\u5e74\u4e4b\u524d\uff0c\u671d\u89d0\u7684\u7167\u7247\u975e\u5e38\u7f55\u89c1\u3002\u5f7c\u5f97\u88ab\u7279\u8bb8\u5728\u5723\u5730\u62cd\u6444\uff0c\u8fd9\u4e2a\u51b3\u5b9a\u81f3\u4eca\u8ba9\u4ed6\u96be\u5fd8\u3002“\u8ba9\u4e00\u4e2a\u897f\u65b9\u4eba\u62cd\u6444\u671d\u89d0\u7684\u56fe\u7247\uff0c\u786e\u5b9e\u975e\u5e38\u7f55\u89c1\u3002\u6211\u5728\u5409\u8fbe\u548c\u9ea6\u52a0\u5404\u4e2a\u673a\u6784\u95f4\u5954\u5fd9\u7740\uff0c\u6700\u7ec8\u83b7\u5f97\u4e86\u7279\u8bb8\u3002\u5f53\u65f6\u8bb8\u591a\u4eba\u4e0d\u60f3\u627f\u62c5\u8d23\u4efb\uff0c\u4e0d\u5141\u8bb8\u628a\u7167\u7247\u5e26\u51fa\u53bb\uff0c\u66f4\u4f55\u51b5\u662f\u4e00\u4e2a\u65b0\u7a46\u65af\u6797\u3002\u4f46\u6211\u6700\u7ec8\u627e\u5230\u4e00\u4e2a\u8d1f\u8d23\u4eba\uff0c\u51fa\u4e8e\u7eaf\u7cb9\u7684\u4fe1\u4efb\uff0c\u4ed6\u7279\u8bb8\u4e86\u6211\u3002”<\/span><\/p>\r\n

\u5bf9\u5f7c\u5f97\u6765\u8bf4\uff0c\u6444\u5f71\u662f\u4ed6\u6355\u6349\u4f0a\u65af\u5170\u7cbe\u795e\u7684\u4e00\u79cd\u65b9\u6cd5\uff0c\u4ed6\u7528\u4e4c\u5c14\u90fd\u8bed\u8bd7\u4eba\u7684\u8bdd\u63cf\u8ff0\u81ea\u5df1\u7684\u611f\u53d7\uff1a\u8981\u77e5\u9053\u9ea6\u52a0\u7684\u771f\u76f8\uff0c\u4e0d\u53ea\u662f\u89c6\u89c9\uff0c\u8fd8\u8981\u5145\u5206\u53d1\u6325\u81ea\u5df1\u7684\u60f3\u8c61\u3002\u62e5\u6709\u4e86\u60f3\u8c61\u8fd8\u4e0d\u591f\uff0c\u8fd8\u8981\u628a\u8fd9\u4efd\u89c6\u89c9\u4e0e\u60f3\u8c61\u4f20\u8fbe\u7ed9\u6ca1\u6709\u89c1\u8fc7\u7684\u4eba\u3002\u4ed6\u7528\u6700\u540e\u4e09\u5341\u5e74\u65f6\u95f4\u8bb0\u5f55\u5373\u5c06\u6d88\u5931\u7684\u4f0a\u65af\u5170\u793e\u4f1a\u4f20\u7edf\u3002\u5176\u4e2d\u7684\u4e00\u4e2a\u9879\u76ee\u5c31\u662f\u5f53\u4ee3\u4f1f\u5927\u5b66\u8005\u548c\u5723\u5f92\u7684\u7167\u7247\u96c6\u3002\u4ed6\u5e0c\u671b\u7b79\u96c6\u8d44\u91d1\u5c3d\u5feb\u51fa\u7248\u8fd9\u4e2a\u4e24\u5377\u76f8\u518c\uff0c\u8fd9\u91cc\u6709\u8bb8\u591a\u4eba\u7684\u521d\u7167\uff0c\u4e5f\u6709\u6700\u8fd1\u53bb\u4e16\u8005\u7684\u7167\u7247\u3002<\/span><\/p>\r\n

\u5173\u4e8e\u5f7c\u5f97·\u6851\u5fb7\u65af<\/span><\/h2>\r\n

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“\u6444\u5f71\u5df2\u7ecf\u6210\u4e3a\u6211\u751f\u547d\u4e2d\u4e0d\u53ef\u6216\u7f3a\u7684\u4e00\u90e8\u5206\uff0c\u5b83\u662f\u6211\u751f\u547d\u7684\u5ef6\u7eed\u3002\u62cd\u6444\u662f\u4e00\u4e2a\u5947\u5999\u7684\u8fc7\u7a0b\uff0c\u611f\u53d7\u5b89\u62c9\u7684\u9988\u8d60\u548c\u5927\u80fd\uff0c\u8ba9\u6211\u53d7\u76ca\u532a\u6d45\u3002\u72b9\u5982\u6293\u62cd\u98de\u7fd4\u7684\u5c0f\u9e1f\u7684\u7cbe\u5f69\u52a8\u4f5c\uff0c\u4ee4\u4eba\u5fc3\u60c5\u65e0\u6bd4\u7684\u6fc0\u52a8\u3002”<\/span><\/p>\r\n

\u65e5\u672c\u827a\u672f\u8bc4\u8bba\u5bb6\u521a\u5ddd\u526f\u8bc4\u8bba\uff1a“\u8fd9\u4e9b\u7167\u7247\u975e\u5e38\u6f02\u4eae\uff0c\u683c\u5916\u7f55\u89c1\u3002”<\/span><\/p>\r\n

\u7f8e\u56fd\u4f5c\u5bb6\u8fc8\u514b\u5c14·\u82cf\u57fa\u8fdf\u8bf4\uff1a“\u6211\u4eec\u4e0d\u5e94\u4f4e\u4f30\u5f7c\u5f97\u7684\u4f5c\u54c1\uff0c\u4ed6\u662f\u5f53\u4eca\u552f\u4e00\u4e00\u4f4d\u7cfb\u7edf\u4e14\u4e13\u4e1a\uff0c\u4ee5\u4e1a\u5185\u4eba\u58eb\u5949\u732e\u4f0a\u65af\u5170\u4f5c\u54c1\u7684\u6444\u5f71\u5e08\u3002\u4ed6\u5bf9\u4f0a\u65af\u5170\u6587\u5316\u7684\u6df1\u523b\u7406\u89e3\u548c\u5b8c\u7f8e\u7684\u7cbe\u795e\u611f\u53d7\uff0c\u8ba9\u4ed6\u80fd\u591f\u62cd\u6444\u51fa\u897f\u65b9\u4eba\u6240\u4e0d\u80fd\u6bd4\u62df\u7684\u7167\u7247\u3002\u4ed6\u7559\u4e0b\u4e86\u7279\u6b8a\u65f6\u671f\u96be\u5fd8\u7684\u3001\u534e\u4e3d\u7684\u3001\u8ff7\u4eba\u7684\u4f5c\u54c1\uff0c\u90a3\u662f\u4e00\u79cd\u4e30\u5bcc\u7684\u6df1\u5177\u9b45\u529b\u7684\u6587\u5316\u3002”<\/span><\/p>\r\n

\u4e5f\u6709\u8bc4\u8bba\u8bf4\uff1a“\u4ed6\u6355\u6349\u4e86\u521b\u9020\u7684\u7cbe\u795e\u4e4b\u7f8e\u3002”<\/span><\/p>\r\n

\u5f7c\u5f97\u7684\u4f5c\u54c1\u767b\u4e0a\u4e86\u7f8e\u56fd\u300a\u65f6\u4ee3\u5468\u520a\u300b\u3001\u6cd5\u56fd\u300a\u5df4\u9ece\u7ade\u8d5b\u62a5\u300b\u3001\u82f1\u56fd\u300a\u89c2\u5bdf\u5bb6\u62a5\u300b\u3001\u82f1\u56fd\u300a\u661f\u671f\u65e5\u6cf0\u6664\u58eb\u62a5\u300b\u3001\u6c99\u7279\u300a\u963f\u7f8e\u4e16\u754c\u300b\u6742\u5fd7\u3001 \u4f26\u6566\u300a\u5168\u963f\u65b0\u95fb\u300b\u7b49\u8bb8\u591a\u56fd\u5bb6\u91cd\u8981\u62a5\u520a\u6742\u5fd7\u7684\u5c01\u9762\u3002\u4ed6\u7684\u9ea6\u52a0\u3001\u9ea6\u5730\u90a3\u73cd\u85cf\u6444\u5f71\u96c6\u975e\u5e38\u7545\u9500\u3002<\/span><\/p>\r\n

\u5f7c\u5f97·\u6851\u5fb7\u65af\u6444\u5f71\u516c\u53f8\u96c6\u65c5\u6e38\u3001\u6444\u5f71\u3001\u6444\u5f71\u68da\u3001\u51fa\u7248\u4e3a\u4e00\u8eab\uff0c\u6536\u85cf\u670912\u4e07\u5f20\u56fe\u7247\u3002<\/span><\/p>\r\n

\u4eca\u5e74\u4ed6\u7684\u76f8\u96c6\u300a\u7eff\u836b\uff1a\u7a46\u65af\u6797\u4e16\u754c\u56fe\u7247\u63a2\u9669\u300b\u51fa\u7248\uff0c\u300a\u4e2d\u56fd\u7a46\u65af\u6797\u300b\u7b49\u4f5c\u54c1\u6b63\u5728\u5236\u4f5c\u4e2d\u3002<\/span><\/p>\r\n

\u5f7c\u5f97·\u6851\u5fb7\u65af\u5b98\u65b9\u7f51\u7ad9\uff1ahttp:\/\/www.petersanders.co.uk<\/span><\/p>\r\n

 <\/p>\r\n

 <\/p>","excerpt":"","terms":null,"visibility_roles":"","comment_status":1,"comment_count":0,"read_counter":5915,"lft":4880,"rght":4881,"promote":1,"sticky":0,"status":1,"publish_start":null,"publish_end":null,"created_at":"2014-10-19T00:51:00.000000Z","updated_at":"2026-04-03T20:15:16.000000Z","language_id":18,"user_id":7,"author_id":3206,"publisher_id":0,"category_id":10,"parent_id":2544,"author_name":"Peter Sanders","category_name":"Why I became a Muslim!","category_slug":"Why-I-became-a-Muslim!","get_date":"2014-10-19","pdf_asset":"http:\/\/www.islamland.com\/uploads\/articles\/zh-Peter Sanders, Photographer, UK.pdf","word_asset":"http:\/\/www.islamland.com\/uploads\/articles\/zh-Peter Sanders, Photographer, UK.docx"}],"first_page_url":"http:\/\/www.islamland.com\/index.php\/dag\/api\/authors\/3206?articles_page=1","from":1,"last_page":1,"last_page_url":"http:\/\/www.islamland.com\/index.php\/dag\/api\/authors\/3206?articles_page=1","links":[{"url":null,"label":"« Previous","page":null,"active":false},{"url":"http:\/\/www.islamland.com\/index.php\/dag\/api\/authors\/3206?articles_page=1","label":"1","page":1,"active":true},{"url":null,"label":"Next »","page":null,"active":false}],"next_page_url":null,"path":"http:\/\/www.islamland.com\/index.php\/dag\/api\/authors\/3206","per_page":25,"prev_page_url":null,"to":6,"total":6},"fatawas":{"current_page":1,"data":[],"first_page_url":"http:\/\/www.islamland.com\/index.php\/dag\/api\/authors\/3206?fatawas_page=1","from":null,"last_page":1,"last_page_url":"http:\/\/www.islamland.com\/index.php\/dag\/api\/authors\/3206?fatawas_page=1","links":[{"url":null,"label":"« Previous","page":null,"active":false},{"url":"http:\/\/www.islamland.com\/index.php\/dag\/api\/authors\/3206?fatawas_page=1","label":"1","page":1,"active":true},{"url":null,"label":"Next »","page":null,"active":false}],"next_page_url":null,"path":"http:\/\/www.islamland.com\/index.php\/dag\/api\/authors\/3206","per_page":25,"prev_page_url":null,"to":null,"total":0},"books_total":0,"videos_total":0,"audios_total":0,"fatawas_total":0,"articles_total":6,"q":"","count":6}